Conscious Theatre with Heart and Purpose: 2015 A Year in Review

What a year it has been for Mixed Company Theatre! In 2015 we worked on several amazing projects including: developing our Inter-Gen Program, creating a new high school tour called Half Full, touring Mixed Messages to high schools and universities across the GTA, building Out of the Illusion – a play with the JustUs Group of seniors from the Six Nations Reserve, delivering workshops to several community organizations including the MicroSkills Youth Centre, and the last show of 2015 – A Day on the Shore – developed in collaboration with Lakeshore residents.

This will be the third year developing our Inter-Gen Program. We have led interactive workshops with participants from our partnering organizations including UrbanArts, Heritage York Members at Historical Lambton House, and Scadding Court Community Centre. These workshops brought together people across generations to create theatrical presentations to bridge the gap between generational and cultural realities, issues, and concerns. In the upcoming year, the project will culminate with the stories of two communities – Weston/Mount Dennis and Alexandra Park/Chinatown – and MCT will build two productions showcased within a Toronto theatre venue. Stay tuned for more details!

In February we workshopped Half Full, our newest high school show to break the stigma on mental health. The process was led by the Mixed Company Theatre playwright Catherine Frid, who developed the script with the input of those who live with anxiety, including students, teachers, and mental health and educational institutions. We also toured our well received production Mixed Messages to High Schools this past May and in Universities in August. We received tremendous positive feedback from the student and teacher audience members in the various schools, and we will continue to reach schools across the GTA this coming year.

With Microskills Youth Centre – the Dixie Road location – we ran workshops with youth to raise awareness of gender and equity issues and the effects of cyber bullying. The workshops were delivered as an after school program to a group of local youth. Other workshops offered this past year were our Summer Professional Development workshop series which included our Introduction to Forum Theatre, Masks of Manipulation, Rainbow of Desire, and Facilitator/Joker Training.

This fall Mixed Company Theatre, in partnership with Scadding Court Community Centre and The G. Raymond Chang School of Continuing Education at Ryerson University, worked with the JustUs: an amazingly talented First Nation’s Senior group from the Six Nations Reserve. Through interactive theatre and community arts activities, participants explored intergenerational stories, issues and concerns. This forum theatre presentation, Out of the Illusion, tackled the subject of breaking the cycle of violence through the perspective of the senior participants and the voices of their community. Out of the Illusion was well received by audiences at Ohsweken’s Great Theatre and Toronto’s Ryerson University. All were able to unpack current social issues and engage in essential dialogue using forum theatre techniques with local community participants. We hope to continue to develop and share this important production with a wider audience in 2016.

Our final show this year, A Day on the Shore, was supported by the Toronto Arts Council’s Artists in the Library program, and the Toronto Pearson Airport’s Propeller Program. Mixed Company Theatre was this year’s artist in residence at the Mimico Centennial Library. This show was a beautiful mosaic of community building, art making and designing, music and soundscape development, storytelling and live theatre performances. Many of the performers were local residents of the Lakeshore neighbourhood. The script was developed in consultation with local residents, and showcased their shared stories and lived experiences of the neighbourhood. These community members were also involved in every aspect of development of the production, including puppet making, instrument building, soundscape production, costume and prop making, and performing in the show. We were able to capture their joy, the new participants connections made, as well as be witness to the artistic transformation that occurred by being part of A Day on the Shore. It was truly a lovely way to wrap up the year!

We would like to thank our company funders who helped us to realize all of the great work we accomplished this year. Thank you to: the RBC Children’s Mental Health Project, Scotiabank’s J.P Bickell Foundation, the Ontario Trillium Foundation, the Toronto Arts Council, the Ontario Arts Council, the Toronto Pearson Airport’s Propeller Project, the Catherine and Maxwell Meighen Foundation, the Ontario Government Seniors Community Grant Program, and the Ontario Arts Endowment Fund.

A big thank you also to our community partners who have been amazing hosts and collaborators. Thank you to: Scadding Court Community Centre, Heritage York (Located in the Historical Lambton House), UrbanArts, the Toronto District School Board, the Toronto Catholic District School Board, the Toronto Public Library, Ryerson University’s G. Raymond Chang School of Continuing EducationLakeshore Arts, and the South Etobicoke Youth Assembly.

Regina Li

MCT Welcomes New Summer Interns!

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Mixed Company Theatre is happy to welcome our new summer students Regina Li and Connor Matheson! They join us from the Ivey School of Business at Western University.

Regina Li
Regina Li

Why did  you want to work for MCT?

I became interested in working for MCT because of the various issues that the company stands up for and the way the organization communicates these issues to the public. I really liked that MCT was doing a lot of youth-related engagements on topics such as bullying and healthy living, so I wanted to get involved. Growing up, I’ve always been involved in the arts, and forum theatre as a way of teaching and empowering the community really intrigued me.

What are you passionate about?

Two things that I’ve very passionate about are health care and youth engagement, which I think go very well together since it’s important make healthy choices at a young age in order to have a healthy lifestyle later on. A lot of issues in health care are now stemming from our society’s more sedentary lifestyle and unhealthy eating habits, which can be mitigated through youth education and awareness programs.

What kind of change do you want to make in the world?

I would want more focus and action centered around education and prevention of chronic and mental illnesses. Having more creative awareness methods in the school curriculum would be a good place to start – shows like Project ACT can really demonstrate the negative effects of not making healthy choices. I would also like to see more funding for mental health research; it’s such a prevalent issue that hasn’t really gotten the attention it deserves.

What was your first experience with theatre?

My first unofficial experience with theatre was being in the chorus of my school’s production of Romeo and Juliet in grade 2… which was quite a tragic story for elementary school kids to perform. My first experience as a spectator was in high school to see a production of Hamlet at Stratford. I loved how the themes, actions and emotions from the play transcended time. At times it was hard to understand Shakespearean English, but I could still understand what the overall message was that was being conveyed.

One last question, if you could have lunch with any celebrity (living or dead) who would it be?

I would love to have lunch with Amelia Earhart. She was a strong, independent, and forward thinking individual who managed to take a tough situation and turn it into an amazing opportunity. Despite health problems as well, she was so passionate about flying that she let nothing stop her – I think I could really learn from her determination. Seeing how she was quite progressive for her time, I would love to have a chat with her about what it was like to be able to break down some gender barriers for women, as well as her views on today’s society. Plus, I would finally be able to find out exactly what happened on the infamous flight to Howland Island.

Connor Matheson
Connor Matheson

Why did you want to work for MCT?
I was really attracted to the diverse social impact that MCT has had not just in Toronto but provincially as well. They use such a unique mechanism to inspire change, allowing people to discover answers for themselves, which I think leaves a greater impact.

What are you passionate about?
My biggest passion is making a difference in the world. I feel that I’m in an excellent position to use my knowledge and experience to really make a difference in my community and one day I hope to improve the lives of people around the world.

What kind of change do you want to make in the world?
I’d like to help MCT make a real change in the way that they source revenue. I’d love to ensure that they are able to sustain the great social work that they do in the community while also helping other organizations function to their best.

What was your first experience with theatre?
The first experience with theatre that I remember was being in my elementary school’s production of “A Christmas Carol”. I was one of the smaller senior students so my teacher cast me as Tiny Tim. My reviews weren’t stellar.

One last question, if you could have lunch with any celebrity (living or dead) who would it be?
Joss Whedon.

Kathryn Boyd

A Forum Theatre Training Reflection

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Kathryn Boyd
Kathryn Boyd

MCT’s annual Forum Theatre Training Workshop Series is rapidly approaching. We thought you would like to hear from a past participant, now MCT facilitator, Kathryn Boyd. We ask her about her experience with our forum theatre training and being a facilitator.

What was your biggest takeway from the workshop?

The power of sculptures – to quickly capture the intangible (a feeling, or idea) and as a tool to relate with others.  The sculpture becomes a dialogue between people.  (I was reminded of these things during the workshop).

Has your training with MCT informed your work? 

I would say YES.  It reconnected me to the possibilities when making ideas concrete through action – really the ability to play with ideas, thoughts, and feelings.  This is very important, also allowing us to tap into the knowledge in our bodies – and not just the ideas in my mind.

What elements of the workshop have you incorporated into your teaching? 

I really appreciated the ideas of the “masks of manipulation” – in my counselling work I deal with issues of control and violence and manipulation regularly – it is very helpful to think of these things in terms of masks people wear and as such to think creatively about the ways I can interact with those masks (oppressive forces) – and to think about what mask I need to wear when I am interacting with specific oppressive masks.  These ideas are very relevant in my work as a therapist.

How does facilitation follows you in your daily life?

I try to hold on to the ideas of asking open-ended questions.  I think about my relationship to the group always.  I am mindful of power dynamics.

Kathryn Boyd is an actor, therapist and group facilitator.